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・ Philip Kapleau
・ Philip Kasinitz
・ Philip Kassel
・ Philip Kaufman
・ Philip Kay
・ Philip Kearny
・ Philip Keegan
・ Philip Keeney
・ Philip Kelland
・ Philip Kellman
・ Philip Kelly (Canadian politician)
・ Philip Kelly (politician)
・ Philip Kemi
・ Philip Kennedy
・ Philip Kennedy (footballer)
Philip Kennicott
・ Philip Kent
・ Philip Kent Grey, 7th Earl Grey
・ Philip Kenyon-Slaney
・ Philip Kerr
・ Philip Kerr, 11th Marquess of Lothian
・ Philip Kevin Paul
・ Philip Key
・ Philip Key (U.S. politician)
・ Philip Khuri Hitti
・ Philip Kiliaen van Rensselaer
・ Philip Kim
・ Philip King
・ Philip King (American football)
・ Philip King (Australian politician)


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Philip Kennicott : ウィキペディア英語版
Philip Kennicott
Philip Kennicott is the chief Art and Architecture Critic of ''The Washington Post''. Kennicott won the 2013 Pulitzer Prize for Criticism.〔 He had twice been a Pulitzer Prize finalist before: in 2012, he was a runner-up for the criticism prize, and in 2000, he was also a finalist for the Pulitzer Prize for Editorial Writing for a series on gun control in the ''St. Louis Post-Dispatch''. In 2015, he was a National Magazine Award 〔() National Magazine Award〕 finalist in the Essays and Criticism category for an essay he contributed to ''Virginia Quarterly Review''; that piece, "Smuggler,"
〔() Smuggler〕 was also selected for the 2015 volume Best American Essays. In 2006, he was an Emmy Award nominee for a Web-based video journal about democracy and oil money in Azerbaijan.
Kennicott was raised in Schenectady, New York, where he studied piano with composer and pianist Joseph Fennimore. In 1983, he attended Deep Springs College, before transferring to Yale in 1986. Kennicott graduated summa cum laude with a degree in philosophy in 1988.
Kennicott served as an editor of several classical music publications in New York City from 1988–1995, including Senior Editor of Musical America and Editor of ''Chamber Music Magazine''.〔(). Chamber Music Magazine.〕 He became classical music critic of the ''Detroit News'' in 1995, and later Chief Classical Music Critic of the ''St. Louis Post-Dispatch''. In 1999, he joined the ''Washington Post'' as Chief Classical Music Critic, before becoming Culture Critic in 2001, and Art and Architecture Critic in 2011. Kennicott is also a former contributing editor at ''The New Republic'', where he wrote articles on classical music, and has served as a reviewer and columnist for ''Gramophone''.
Kennicott is a frequent participant in national and international symposia, including the Aspen Ideas Festival〔(). Aspen Ideas Festival.〕 and the World Justice Forum IV〔(). World Justice Forum IV.〕 in the Hague.
==References==


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